Learning by doing

These collaborations make a skeleton key out of that tool.  

I woke up this morning noticing a bunch of new messages at strange Beijing hours, plus a new contact invite. 

Another student director contacted me to fix his thesis short.

After collaborating with two student directors there, their program chair and the other screenwriting professor who’s no feminazi seem to approve of my craft.

This third director is someone I’ve been dying to work with.

Before switching to filmmaking, he had been working in advertising for the most part of his adult life.  Having looted every “big deal” advertising award on the face of the earth, the guy decided to switch industry. 

Just like that, he quit his ECD (Executive Creative Director) job in a 4A agency in Shanghai. He applied and attained his special talent visa (EB1-A) within a month. Then he simply immigrated his family to the US, his wife and their three-year-old daughter. 

I love his personal story as well as the short film he pitched me. Just like that, I landed my third short film project within a month. 

By end of December, I would be able to see him and the first student director in person in Shanghai. Without fearing that I may become cocky or expensive (cocky no; but expensive, for sure), they confessed just how hard it was to find decent writers (let alone good) and they want to keep working with me in the future. Without even seeing his story in my words, the guy said he trusts me and believes that I would do a good job. 

If I had 20% chance to get myself back in the US within a year and half, now that number can at least beat Trump’s latest approval rate. 

But most of all, I love discovering the differences of people’s creative minds. I used to roll my eyes when a director started to describe how he would frame a scene, and how much in love he was with the color, the tone, the mood… “Dude, those are fine, but they don’t help me to move the story forward!!” Now I relish their visual talent which I haven’t yet developed.  

I finally began to appreicate when Prof. Howard Suber told us that film is a collaborative business. Because when the right people meet their right match, things just start to click and work. UCLA helped me make my tool. But these collaborations make a skeleton key out of that tool.  

 

Yours truly,
YZ

Author: Rock Bottom with YZ

YZ is a Shanghai-born LA-trained bilingual storyteller in various spheres.