RBYZ: Hollywood Inside Out (#005)

It’s not about you. It’s about the work.

If you were born into a Hollywood family, would you do anything else other than film?

My guest this week is an aspiring visual artist. Last year, she quit her job, traveled around half of the globe for four months before moving back to LA, starting afresh.

Her bio is quite unique—

I can write upside down and backwards; I always say hi to left-handed people; I helped dress the models at the Elie Saab Summer ’06 Couture Show in Paris; Blair Waldorf wears a headband I made when she says “I love you” to Chuck Bass in Gossip GirlI have a pretty good relationship with my cell phone and technology; and I love reading children’s books as an adult.

Meet Amee Carter, who dares to differ even it means hitting rock bottom.

What you’ll hear:

  • Is groundedness even possible for someone born in Hollywood?
  • What are the disadvantages to be in the family business apart from its clear advantages?
  • How to look at the world like a production designer?
  • How does she find courage to break out of the familiar world? What’s the drive behind that choice?
  • What does it feel like to have 17 home bases in four countries in a year?
  • How not to be fazed working with the greats? What’s the advice?

It’s not about you. It’s about the work.

Links from the episode:

Listen and subscribe to Rock Bottom with YZ:
A weekly podcast for and about anyone and everyone who has spiraled downward and doesn’t know which end is up.

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Yours truly,
YZ

PS. Click here to see ways to help #RBYZ to grow.

Frenzy and the British Humour

In the Hitchcock Studies class yesterday, we discussed Frenzy, Vertigo and Rebecca.


Unlike Vertigo and Rebecca, I was the only one who said I really enjoyed Frenzy.

The rest of my cohorts disregarded it as “shallow” or “jarring” to watch.

Frenzy was the second last film by Hitchcock. It was back to his hometown in England. No more James Stewart, Cary Grant, or his blonde female celebrities.

True, the rape/murder scenes “objectified” those women. But as a pure viewer, I had a great time watching it — as it was, a film to enlighten, a film to entertain.

Frenzy seems to me a hybrid of Corgi and Husky. I haven’t watched another film that combines suspense, thrill, crime so well with (dark) humour.

My film cohorts didn’t appreciate the hero saying that he seemed pathetic. But isn’t that the case with the British movies? An Average Joe’s adventure in his mundane life. My year-long sojourn in England lent me this perspective.

The Brits want someone they can recognize on the street. They root for the underdogs. They despise wisecrackers, quite the reverse to the American audience.

That’s why the Brits created Mr. Bean. That’s why they have heartfelt little story like The Full Monty, a group of unemployed men strip off to regain their manhood.

I certainly don’t dream of persuading my opinionated cohorts. But as true in film as in life —

There is not but one right answer, one right taste.